Hey, it's Naomi with your weekly screenwriting memo! Today's topic... |
In some stories, there are two equally important protagonists, each of whom experiences a character arc.
In other words, there are two protagonists in the story, working toward a common goal. Each one has something specific to learn from the experience.
Writing a script that showcases two characters with their own arcs who eventually also grow in their relationship with each other (that’s the common pattern for this kind of story) can be a great way to demonstrate your skills. Because when they work, these scripts can deliver a ton of resonance and meaning, no matter the genre.
But if that’s the kind of story you’re writing, you may be struggling to manage everything you’ve set into motion. After all, it's a lot of character arc to juggle.
And if you have an idea for a dual-protagonist story, you may be overwhelmed by just the idea of trying to plan both character arcs.
So, before you bail on your brilliant two-hander, let's look at how you can make it work.
A couple weeks ago I offered some prompts you can use to think through a character’s arc:
When you’re working with dual protagonists and each needs to arc? You guessed it – use these prompts for both characters. Think each arc through on its own so that each one is a complete arc unto itself.
And then we’ll add one more prompt:
That’s not a requirement to make this kind of story work, but it tends to add a sense of cohesiveness to the script. If the arcs inform each other then it feels like the characters aren’t living (and transforming) in a vacuum. They’re going through the journey together, or at least in tandem.
Plus, if the characters are going to come together in the end (whether romantically or otherwise), it only makes sense to track how they’re bouncing off of each other along the way. So we're tracking the change in their relationship, as well as their individual transformations.
This week the annual Black List was announced and – as is tradition – I'm sharing a few of my own top picks from the list. For your reading pleasure:
Stakehorse, written by Justin Piasecki – a tense, gritty crime thriller.
Untitled Missing Child, written by Brenna Galvin – a twisty psychological drama. (I'm not sure it's quite a thriller, but it is a brain teaser.)
And the one we'll use as a case study today:
The Getaway, written by Mario Kyprianou & Becky Leigh – a bawdy comedy that makes juggling two protagonists and their character arcs look easy.
I encourage you to read the script and think through how it all works, and then come back to compare your notes to mine. But if you’re too excited to wait, then here we go! Also – spoiler alert from here on. (And fair warning: there’s plenty of adult humor in this script.)
The logline: "A couple on the brink of divorce sets off on a romantic getaway to save their marriage, but when they find that they have inexplicably traveled back in time, they decide to team up to stop their younger selves from ever getting married."
The way this story works, the two main characters think they need to change their circumstances/lives (by changing the past) in order to be happy. (That informs their story goal and the Act 2 Adventure.) But they learn that what they need to change is themselves. (That informs their character arcs.)
Great. That gives us nice external and internal conflicts to track. They’re taking action to address the external, but growing from the internal. And eventually that transformation will cause them to re-evaluate the external.
Let’s take Ellie first. Thinking about those prompts from earlier:
For Jon:
Learning the real meaning behind Jon's past actions and words helps Ellie understand her own part in not going after her dreams, and vice versa. So they grow individually from these interactions, as we covered above.
But these key moments also serve to show how much the other truly loved/loves them, which turns their desire to wanting to save their relationship rather than move on from it.
Basically, at the beginning of the script they're each blaming the other for their unhappiness. But as they grow individually, they're able to see that the other's actions and words came from a positive place, rather than negative, and they're reminded of how much they like each other and how much love there was (and could still be) between them.
There are some big, wild comedy set pieces in this script, but even with all of that going on, the script manages to build two complete character arcs and show us the evolution of the characters' relationship. It can be done!
If you're interested in studying this script to learn more, here are some things to think about those three prompts, and look for the moments that provide that information.
As always, I'd love to hear your thoughts!
Until next time,
Naomi
👉👉 👉 P.S. Thank you to everyone who left reviews of Story Structure Made Easy over the past week! I'm chuffed.
And yes – if you clicked through the link in last week's email, your interest in the Write With Me Challenge has been noted and I'll send you the first email on January first! I can't wait. Hope you're thinking about which screenplay you want to write next. 😊
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